sense. But the two Tales in prose -- Chaucer's Tale of
Meliboeus, and the Parson's long Sermon on Penitence -- have
been contracted, so as to exclude thirty pages of unattractive
prose, and to admit the same amount of interesting and
characteristic poetry. The gaps thus made in the prose Tales,
however, are supplied by careful outlines of the omitted matter,
so that the reader need be at no loss to comprehend the whole
scope and sequence of the original. With The Faerie Queen a
bolder course has been pursued. The great obstacle to the
popularity of Spencer's splendid work has lain less in its
language than in its length. If we add together the three great
poems of antiquity -- the twenty-four books of the Iliad, the
twenty-four books of the Odyssey, and the twelve books of the
Aeneid -- we get at the dimensions of only one-half of The
Faerie Queen. The six books, and the fragment of a seventh,
which alone exist of the author's contemplated twelve, number
about 35,000 verses; the sixty books of Homer and Virgil
number no more than 37,000. The mere bulk of the poem, then,
has opposed a formidable barrier to its popularity; to say
nothing of the distracting effect produced by the numberless
episodes, the tedious narrations, and the constant repetitions,
which have largely swelled that bulk. In this volume the poem
is compressed into two-thirds of its original space, through the
expedient of representing the less interesting and more
mechanical passages by a condensed prose outline, in which it
has been sought as far as possible to preserve the very words of
the poet. While deprecating a too critical judgement on the
bare and constrained precis standing in such trying
juxtaposition, it is hoped that the labour bestowed in saving the
reader the trouble of wading through much that is not essential