Imaginary Portraits by Walter Pater
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page 6 of 102 (05%)
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much as sixty livres--Un Depart de Troupes, Soldiers Departing--one of
those scenes of military life one can study so well here at Valenciennes. June 1705. Young Watteau has returned home--proof, with a character so independent as his, that things have gone well with him; and (it is agreed!) stays with us, instead of in the stone-mason's house. The old people suppose he comes to us for the sake of my father's instruction. French people as we are become, we are still old Flemish, if not at heart, yet on the surface. Even in French Flanders, at Douai and Saint Omer, as I understand, in the churches and in people's houses, as may be seen from the very streets, there is noticeable a minute and scrupulous air of care-taking and neatness. Antony Watteau remarks this more than ever on returning to Valenciennes, and savours greatly, after his lodging in Paris, our Flemish cleanliness, lover as he is of distinction and elegance. Those worldly graces he seemed when a young lad to hunger and thirst for, as though truly the mere adornments of life were its necessaries, he already takes as if he had been always used to them. And there is something noble--shall I say?--in his half-disdainful way of serving himself with what he still, as I think, secretly values over-much. There is an air of seemly thought--le bel serieux--about him, which makes me think of one of those grave old Dutch statesmen in their youth, such as that famous William the Silent. And yet the effect of this first success of his (of more importance than its mere money value, as insuring for the future the full play of his natural powers) I can trace like the bloom of a flower upon him; and he has, now and then, the gaieties which from time to time, surely, must refresh all true artists, however hard-working and "painful." |
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