Turks. There was an odour of iris-root and damp sheets that escaped
from a large oak chest opposite the window. On the floor in corners were
sacks of flour stuck upright in rows. These were the overflow from
the neighbouring granary, to which three stone steps led. By way of
decoration for the apartment, hanging to a nail in the middle of the
wall, whose green paint scaled off from the effects of the saltpetre,
was a crayon head of Minerva in gold frame, underneath which was written
in Gothic letters "To dear Papa."

First they spoke of the patient, then of the weather, of the great cold,
of the wolves that infested the fields at night.

Mademoiselle Rouault did not at all like the country, especially now
that she had to look after the farm almost alone. As the room was
chilly, she shivered as she ate. This showed something of her full lips,
that she had a habit of biting when silent.

Her neck stood out from a white turned-down collar. Her hair, whose
two black folds seemed each of a single piece, so smooth were they, was
parted in the middle by a delicate line that curved slightly with the
curve of the head; and, just showing the tip of the ear, it was joined
behind in a thick chignon, with a wavy movement at the temples that the
country doctor saw now for the first time in his life. The upper part of
her cheek was rose-coloured. She had, like a man, thrust in between two
buttons of her bodice a tortoise-shell eyeglass.

When Charles, after bidding farewell to old Rouault, returned to the
room before leaving, he found her standing, her forehead against the
window, looking into the garden, where the bean props had been knocked
down by the wind. She turned round. "Are you looking for anything?" she