approaches. Oh no; no one else pleases you. There are some more
beautiful, but I love you best. I know how to love best. I am your
servant, your concubine! You are my king, my idol! You are good, you are
beautiful, you are clever, you are strong!"

He had so often heard these things said that they did not strike him as
original. Emma was like all his mistresses; and the charm of novelty,
gradually falling away like a garment, laid bare the eternal monotony
of passion, that has always the same forms and the same language. He
did not distinguish, this man of so much experience, the difference of
sentiment beneath the sameness of expression. Because lips libertine
and venal had murmured such words to him, he believed but little in the
candour of hers; exaggerated speeches hiding mediocre affections must be
discounted; as if the fullness of the soul did not sometimes overflow in
the emptiest metaphors, since no one can ever give the exact measure of
his needs, nor of his conceptions, nor of his sorrows; and since human
speech is like a cracked tin kettle, on which we hammer out tunes to
make bears dance when we long to move the stars.

But with that superior critical judgment that belongs to him who, in no
matter what circumstance, holds back, Rodolphe saw other delights to be
got out of this love. He thought all modesty in the way. He treated her
quite sans facon.* He made of her something supple and corrupt. Hers
was an idiotic sort of attachment, full of admiration for him, of
voluptuousness for her, a beatitude that benumbed her; her soul sank
into this drunkenness, shrivelled up, drowned in it, like Clarence in
his butt of Malmsey.

*Off-handedly.