The Mutiny of the Elsinore by Jack London
page 193 of 429 (44%)
page 193 of 429 (44%)
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ain't doing so badly now, I leave it to you."
And it wasn't. The northern quadrant was a great fen of colour and cloud, that spread ribs of feathery pink, fleece-frilled, from the horizon to the zenith. It was all amazing. Four sunsets at the one time in the sky! Each quadrant glowed, and burned, and pulsed with a sunset distinctly its own. And as the colours dulled in the slow twilight, the moon, still misty, wept tears of brilliant, heavy silver into the dim lilac sea. And then came the hush of darkness and the night, and we came to ourselves, out of reverie, sated with beauty, leaning toward each other as we leaned upon the rail side by side. I never grow tired of watching Captain West. In a way he bears a sort of resemblance to several of Washington's portraits. He is six feet of aristocratic thinness, and has a very definite, leisurely and stately grace of movement. His thinness is almost ascetic. In appearance and manner he is the perfect old-type New England gentleman. He has the same gray eyes as his daughter, although his are genial rather than warm; and his eyes have the same trick of smiling. His skin is pinker than hers, and his brows and lashes are fairer. But he seems removed beyond passion, or even simple enthusiasm. Miss West is firm, like her father; but there is warmth in her firmness. He is clean, he is sweet and courteous; but he is coolly sweet, coolly courteous. With all his certain graciousness, in cabin or on deck, so far as his social equals are concerned, his graciousness is |
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