Oldport Days by Thomas Wentworth Higginson
page 16 of 175 (09%)
page 16 of 175 (09%)
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The harbor and the beach are thus occupied in winter; but one may walk for many a mile along the cliffs, and see nothing human but a few gardeners, spreading green and white sea-weed as manure upon the lawns. The mercury rarely drops to zero here, and there is little snow; but a new-fallen drift has just the same virgin beauty as farther inland, and when one suddenly comes in view of the sea beyond it, there is a sensation of summer softness. The water is not then deep blue, but pale, with opaline reflections. Vessels in the far horizon have the same delicate tint, as if woven of the same liquid material. A single wave lifts itself languidly above a reef,--a white-breasted loon floats near the shore,--the sea breaks in long, indolent curves,--the distant islands swim in a vague mirage. Along the cliffs hang great organ-pipes of ice, distilling showers of drops that glitter in the noonday sun, while the barer rocks send up a perpetual steam, giving to the eye a sense of warmth, and suggesting the comforts of fire. Beneath, the low tide reveals long stretches of golden-brown sea-weed, caressed by the lapping wave. High winds bring a different scene. Sometimes I fancy that in winter, with less visible life upon the surface of the water, and less of unseen animal life below it, there is yet more that seems like vital force in the individual particles of waves. Each separate drop appears more charged with desperate and determined life. The lines of surf run into each other more brokenly, and with less steady roll. The low sun, too, lends a weird and jagged shadow to gallop in before the crest of each advancing wave, and sometimes there is a second crest on the shoulders of the first, as if there were more than could be contained in a single curve. |
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