The Madonna of the Future by Henry James
page 13 of 45 (28%)
page 13 of 45 (28%)
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Madonnas are anything more than pretty blondes of that period enhanced by
the Raphaelesque touch, which they declare is a profane touch. Be that as it may, people's religious and aesthetic needs went arm in arm, and there was, as I may say, a demand for the Blessed Virgin, visible and adorable, which must have given firmness to the artist's hand. I am afraid there is no demand now." My companion seemed painfully puzzled; he shivered, as it were, in this chilling blast of scepticism. Then shaking his head with sublime confidence--"There is always a demand!" he cried; "that ineffable type is one of the eternal needs of man's heart; but pious souls long for it in silence, almost in shame. Let it appear, and their faith grows brave. How _should_ it appear in this corrupt generation? It cannot be made to order. It could, indeed, when the order came, trumpet-toned, from the lips of the Church herself, and was addressed to genius panting with inspiration. But it can spring now only from the soil of passionate labour and culture. Do you really fancy that while, from time to time, a man of complete artistic vision is born into the world, that image can perish? The man who paints it has painted everything. The subject admits of every perfection--form, colour, expression, composition. It can be as simple as you please, and yet as rich; as broad and pure, and yet as full of delicate detail. Think of the chance for flesh in the little naked, nestling child, irradiating divinity; of the chance for drapery in the chaste and ample garment of the mother! think of the great story you compress into that simple theme! Think, above all, of the mother's face and its ineffable suggestiveness, of the mingled burden of joy and trouble, the tenderness turned to worship, and the worship turned to far-seeing pity! Then look at it all in perfect line and lovely colour, breathing truth and beauty and mastery!" |
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