magistrate, whose duty was to distribute justice to those placed under
him. They gave to each company or trade a banner, under which every man
was expected to appear armed, whenever the city required it. These arts
were at first twelve, seven major and five minor. The minor arts were
afterward increased to fourteen, so that the whole made, as at present,
twenty-one. The thirty-six reformers also effected other changes for the
common good.

Count Guido proposed to lay a tax upon the citizens for the support of
the soldiery; but during the discussion found so much difficulty, that
he did not dare to use force to obtain it; and thinking he had now lost
the government, called together the leaders of the Ghibellines, and they
determined to wrest from the people those powers which they had with so
little prudence conceded. When they thought they had sufficient force,
the thirty-six being assembled, they caused a tumult to be raised, which
so alarmed them that they retired to their houses, when suddenly the
banners of the Arts were unfurled, and many armed men drawn to them.
These, learning that Count Guido and his followers were at St. John's,
moved toward the Holy Trinity, and chose Giovanni Soldanieri for their
leader. The count, on the other hand, being informed where the people
were assembled, proceeded in that direction; nor did the people shun the
fight, for, meeting their enemies where now stands the residence of the
Tornaquinci, they put the count to flight, with the loss of many of his
followers. Terrified with this result, he was afraid his enemies would
attack him in the night, and that his own party, finding themselves
beaten, would murder him. This impression took such hold of his mind
that, without attempting any other remedy, he sought his safety rather
in flight than in combat, and, contrary to the advice of the rectors,
went with all his people to Prato. But, on finding himself in a place
of safety, his fears fled; perceiving his error he wished to correct it,