the _Comedie Humaine_. And we owe sincere thanks to Messieurs Cerfberr
and Christophe for this _Repertory_. Thanks to them, we shall the more
easily traverse the long galleries, painted and frescoed, of this
enormous palace,--a palace still unfinished, inasmuch as it lacks
those Scenes of Military Life whose titles awaken dreams within us:
_Forced Marches_; _The Battle of Austerlitz_; _After Dresden_.
Incontestably, Tolstoy's _War and Peace_ is an admirable book, but how
can we help regretting the loss of the painting of the Grand Army and
of our Great Emperor, by Balzac, our Napoleon of letters?

PAUL BOURGET.





REPERTORY OF THE COMEDIE HUMAINE



A

ABRAMKO, Polish Jew of gigantic strength, thoroughly devoted to the
broker, Elie Magus, whose porter he was, and whose daughter and
treasures he guarded with the aid of three fierce dogs, in 1844, in a
old house on the Minimes road hard by the Palais Royale, Paris.
Abramko had allowed himself to be compromised in the Polish
insurrection and Magus was interested in saving him. [Cousin Pons.]

ADELE, sturdy, good-hearted Briarde servant of Denis Rogron and his