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Repertory of the Comedie Humaine - Part 2 by Anatole Cerfberr;Jules François Christophe
page 51 of 321 (15%)

MAGNAN (Madame), mother of the preceding, lived at Beauvais, where she
died a short time after her son's death, and previous to the arrival
of Hermann, who was bearing her a letter from Prosper. [The Red Inn.]

MAGUS (Elie), Flemish Jew, Dutch-Belgian descent, born in 1770. He
lived now at Bordeaux, now at Paris; was a merchant of costly
articles, such as pictures, diamonds and curiosities. By his influence
Madame Luigi Porta, born Ginevra di Piombo, obtained from a
print-seller a position as colorist. Madame Evangelista engaged him
to estimate the value of her jewels. He bought a copy of Rubens from
Joseph Bridau and some Flemish subjects from Pierre Grassou, selling
them later to Vervelli as genuine Rembrandts or Teniers; he arranged
for the marriage of the artist with the cork-maker's daughter. Very
wealthy, and having retired from business in 1835, he left his house
on the Boulevard Bonne-Nouvelle to occupy an old dwelling on Chaussee
des Minimes, now called rue de Bearn. He took with him his treasures,
his daughter, Noemi, and Abramko as a guard for his property. Eli
Magus was still living in 1845, when he had just acquired, in a
somewhat dishonorable manner, a number of superb paintings from
Sylvain Pons' collection. [The Vendetta. A Marriage Settlement. A
Bachelor's Establishment. Pierre Grassou. Cousin Pons.]

MAHOUDEAU (Madame), in 1840, in company with Madame Cardinal, her
friend, created a disturbance during one of Bobino's performances at a
small theatre near the Luxembourg, where Olympe Cardinal was playing.
While playing the "jeune premiere" she was recognized by her mother.
[The Middle Classes.]

MAHUCHET (Madame), women's shoemaker, "a very foul-mouthed woman," in
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