Orpheus in Mayfair and Other Stories and Sketches by Maurice Baring
page 33 of 190 (17%)
page 33 of 190 (17%)
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And the whole of the sleeping army awoke from its slumber and listened
to the strange sound. From the tents came men in glittering silks (the Generals, I supposed) and listened also. The soldiers looked at each other and said no word. And then all at once, as though obeying some silent word of command given by some unseen captain, one by one they walked away over the plain, leaving their tents behind them. They all marched off into the east, as if they were following the music into the heart of the hills, and soon, of all that great army which had been gathered together on the plain, not one man was left. Then the music changed and seemed to grow different and more familiar, and with a start I became aware that I had been asleep and dreaming, and that I was sitting on the temple steps once more in the twilight, and that not far off, round a fire, some soldiers were singing. It was a dream, and my sleep could not have been a long one, for it was still twilight and the darkness had not yet come. Fully awake now, I remembered clearly the old legend which had haunted me, and had taken shape in my dream. It was that of an army which on the night before the battle had heard the flute of Chang Liang. By his playing he had brought before the rude soldiers the far-off scenes of their childhood, which they had not looked upon for years--the sights and sounds of their homes, the faces and the spots which were familiar to them and dear. And they, as they heard this music, and felt these memories well up in their hearts, were seized with a longing and a desire for home so potent and so imperative that one by one they left the battlefield in silence, and when the enemy came at the dawn, they found the plain deserted and empty, for in one minute the flute of Chang Liang had stolen the hearts of eight thousand men. And I felt certain that I had heard the flute of Chang Liang this night |
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