Orpheus in Mayfair and Other Stories and Sketches by Maurice Baring
page 7 of 190 (03%)
page 7 of 190 (03%)
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At that moment the fourth and last item on the programme began, which was called "Greek Songs by Heraclius Themistocles Margaritis." "He certainly looks like a Greek," said the lady who had been talking; "in fact if his hair was cut he would be quite good-looking." "It's not my idea of a Greek," whispered her neighbour. "He is too fair. I thought Greeks were dark." "Hush!" said the lady, and the first song began. It was a strange thread of sound that came upon the ears of the listeners, rather high and piercing, and the accompaniment (Margaritis accompanied himself) was twanging and monotonous like the sound of an Indian tom-tom. The same phrase was repeated two or three times over, the melody seemed to consist of only a very few notes, and to come over and over again with extraordinary persistence. Then the music rose into a high shrill call and ended abruptly. "What has happened?" asked the lady. "Has he forgotten the words?" "I think the song is over," said the man. "That's one comfort at any rate. I hate songs which I can't understand." But their comments were stopped by the beginning of another song. The second song was soft and very low, and seemed to be almost entirely on one note. It was still shorter than the first one, and ended still more abruptly. "I don't believe he's a Greek at all," said the man. "His songs are just |
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