The Women of the French Salons by Amelia Ruth Gere Mason
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page 16 of 311 (05%)
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Diversions--Corneille--Balzac--Richelieu--Romance of the
Grand Conde--The Young Bossuet--Voiture--The Duchesse de Longueville--Angelique Paulet--Julie d'Angennes--Les Precieuses Ridicules--Decline of the Salon--Influence upon Literature and Manners The Hotel de Rambouillet has been called the "cradle of polished society," but the personality of its hostess is less familiar than that of many who followed in her train. This may be partly due to the fact that she left no record of herself on paper. She aptly embodied the kind advice of Le Brun. It was her special talent to inspire others and to combine the various elements of a brilliant and complex social life. The rare tact which enabled her to do this lay largely in a certain self-effacement and the peculiar harmony of a nature which presented few salient points. She is best represented by the salon of which she was the architect and the animating spirit; but even this is better known today through its faults than its virtues. It is a pleasant task to clear off a little dust from its memorials, and to paint in fresh colors one who played so important a role in the history of literature and manners. Catherine de Vivonne was born at Rome in 1588. Her father, the Marquis de Pisani, was French ambassador, and she belonged through her mother to the old Roman families of Strozzi and Savelli. Married at sixteen to the Count d'Angennes, afterwards Marquis de Rambouillet, she was introduced to the world at the gay court of Henry IV. But the coarse and depraved manners which ruled there were altogether distasteful to her delicate and fastidious nature. At twenty she retired from these brilliant |
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