The Women of the French Salons by Amelia Ruth Gere Mason
page 173 of 311 (55%)
page 173 of 311 (55%)
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Voltaire. "She will love comedy to the last moment, and when she
is ill I counsel you to administer some beautiful poem in the place of extreme unction. One dies as one has lived." Mme. du Maine represented the conservative side of French society in spite of the fact that her abounding mental vitality often broke through the stiff boundaries of old traditions. It was not because she did not still respect them, but she had the defiant attitude of a princess whose will is an unwritten law superior to all traditions. The tone of her salon was in the main dilettante, as is apt to be the case with any circle that plumes itself most upon something quite apart from intellectual distinction. It reflected the spirit of an old aristocracy, with its pride, its exclusiveness, its worship of forms, but faintly tinged with the new thought that was rapidly but unconsciously encroaching upon time-honored institutions. Beyond the clever pastimes of a brilliant coterie, it had no marked literary influence. This ferment of intellectual life was one of the signs of the times, but it led to no more definite and tangible results than the turning of a madrigal or the sparkle of an epigram. CHAPTER XI. MADAME DE TENCIN AND MADAME DU CHATELET An Intriguing Chanoinesse--Her Singular Fascination--Her Salon --Its Philosophical Character--Mlle. Aisse--Romances of Mme. de Tencin--D'Alembert--La Belle Emilie--Voltaire--The Two Women Compared It was not in the restless searchings of an old society for new |
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