The Women of the French Salons by Amelia Ruth Gere Mason
page 87 of 311 (27%)
page 87 of 311 (27%)
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nine, the longed-for transition was only the quiet passing from
fevered dreams to peaceful sleep. It is a singular fact that this refined, exclusive, fastidious woman, in whom the artistic nature was always dominant to the extent of weakness, should have left a request to be buried, without ceremony, in the parish cemetery with the people, remote alike from the tombs of her family and the saints of Port Royal. CHAPTER VI. MADAME DE SEVIGNE Her Genius--Her Youth--Her unworthy Husband--Her impertinent Cousin--Her love for her Daughter--Her Letters--Hotel de Carnavalet--Mme. Duiplessis Guenegaud--Mme. de Coulanges--The Curtain Falls Among the brilliant French women of the seventeenth century, no one is so well-known today as Mme. de Sevigne. She has not only been sung by poets and portrayed by historians, but she has left us a complete record of her own life and her own character. Her letters reflect every shade of her many-sided nature, as well as the events, even the trifling incidents, of the world in which she lived; the lineaments, the experiences, the virtues, and the follies of the people whom she knew. We catch the changeful tints of her mind that readily takes the complexion of those about her, while retaining its independence; we are made familiar with her small joys and sorrows, we laugh with her at her own harmless weaknesses, we feel the inspiration of her sympathy, we hear the innermost throbbings of her heart. No one was ever less consciously a woman of letters. No one would have been more |
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