of the table stood a smoldering tallow-candle in an iron candlestick. It
appeared that the family had a room to themselves, not part of a room,
but their room was practically a passage. The door leading to the other
rooms, or rather cupboards, into which Amalia Lippevechsel's flat was
divided stood half open, and there was shouting, uproar and laughter
within. People seemed to be playing cards and drinking tea there. Words
of the most unceremonious kind flew out from time to time.

Raskolnikov recognised Katerina Ivanovna at once. She was a rather tall,
slim and graceful woman, terribly emaciated, with magnificent dark brown
hair and with a hectic flush in her cheeks. She was pacing up and down
in her little room, pressing her hands against her chest; her lips
were parched and her breathing came in nervous broken gasps. Her eyes
glittered as in fever and looked about with a harsh immovable stare. And
that consumptive and excited face with the last flickering light of the
candle-end playing upon it made a sickening impression. She seemed to
Raskolnikov about thirty years old and was certainly a strange wife for
Marmeladov.... She had not heard them and did not notice them coming in.
She seemed to be lost in thought, hearing and seeing nothing. The room
was close, but she had not opened the window; a stench rose from the
staircase, but the door on to the stairs was not closed. From the inner
rooms clouds of tobacco smoke floated in, she kept coughing, but did not
close the door. The youngest child, a girl of six, was asleep, sitting
curled up on the floor with her head on the sofa. A boy a year older
stood crying and shaking in the corner, probably he had just had a
beating. Beside him stood a girl of nine years old, tall and thin,
wearing a thin and ragged chemise with an ancient cashmere pelisse flung
over her bare shoulders, long outgrown and barely reaching her knees.
Her arm, as thin as a stick, was round her brother's neck. She was
trying to comfort him, whispering something to him, and doing all she