Trent's Last Case by E. C. (Edmund Clerihew) Bentley
page 33 of 220 (15%)
page 33 of 220 (15%)
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reporter's job in half an hour. And you have a head for a mystery; you have
imagination and cool judgement along with it. Think how it would feel if you pulled it off!' Trent had admitted that it would be rather a lark. He had smoked, frowned, and at last convinced himself that the only thing that held him back was fear of an unfamiliar task. To react against fear had become a fixed moral habit with him, and he had accepted Sir James's offer. He had pulled it off. For the second time he had given the authorities a start and a beating, and his name was on all tongues. He withdrew and painted pictures. He felt no leaning towards journalism, and Sir James, who knew a good deal about art, honourably refrained--as other editors did not--from tempting him with a good salary. But in the course of a few years he had applied to him perhaps thirty times for his services in the unravelling of similar problems at home and abroad. Sometimes Trent, busy with work that held him, had refused; sometimes he had been forestalled in the discovery of the truth. But the result of his irregular connection with the Record had been to make his name one of the best known in England. It was characteristic of him that his name was almost the only detail of his personality known to the public. He had imposed absolute silence about himself upon the Molloy papers; and the others were not going to advertise one of Sir James's men. The Manderson case, he told himself as he walked rapidly up the sloping road to White Gables, might turn out to be terribly simple. Cupples was a wise old boy, but it was probably impossible for him to have an impartial opinion about his niece. But it was true that the manager of the hotel, who had spoken of her beauty in terms that aroused his attention, had spoken even more emphatically of her goodness. Not an artist in words, the manager had yet conveyed a very definite idea to Trent's mind. 'There isn't a child about here |
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