This too might quite well be a case where one must subdue primordial
instinct, or lose the market. He got up and stood before the picture,
trying hard to see it with the eyes of other people. Above the tomato
blobs was what he took to be a sunset, till some one passing said: "He's
got the airplanes wonderfully, don't you think!" Below the tomato blobs
was a band of white with vertical black stripes, to which he could
assign no meaning whatever, till some one else came by, murmuring: "What
expression he gets with his foreground!" Expression? Of what? Soames
went back to his seat. The thing was "rich," as his father would have
said, and he wouldn't give a damn for it. Expression! Ah! they were all
Expressionists now, he had heard, on the Continent. So it was coming
here too, was it? He remembered the first wave of influenza in 1887--or
'8--hatched in China, so they said. He wondered where this--this
Expressionism had been hatched. The thing was a regular disease!

He had become conscious of a woman and a youth standing between him and
the "Future Town." Their backs were turned; but very suddenly Soames
put his catalogue before his face, and drawing his hat forward, gazed
through the slit between. No mistaking that back, elegant as ever though
the hair above had gone grey. Irene! His divorced wife--Irene! And this,
no doubt, was--her son--by that fellow Jolyon Forsyte--their boy, six
months older than his own girl! And mumbling over in his mind the bitter
days of his divorce, he rose to get out of sight, but quickly sat down
again. She had turned her head to speak to her boy; her profile was
still so youthful that it made her grey hair seem powdery, as if
fancy-dressed; and her lips were smiling as Soames, first possessor
of them, had never seen them smile. Grudgingly he admitted her still
beautiful and in figure almost as young as ever. And how that boy smiled
back at her! Emotion squeezed Soames' heart. The sight infringed his
sense of justice. He grudged her that boy's smile--it went beyond what