rather clearly that Jon wanted to go in for nothing. He himself had felt
exactly like that at the same age. With him that pleasant vacuity had
soon been ended by an early marriage, and its unhappy consequences.
Forced to become an underwriter at Lloyd's, he had regained prosperity
before his artistic talent had outcropped. But having--as the simple
say--"learned" his boy to draw pigs and other animals, he knew that
Jon would never be a painter, and inclined to the conclusion that his
aversion from everything else meant that he was going to be a writer.
Holding, however, the view that experience was necessary even for that
profession, there seemed to Jolyon nothing in the meantime, for Jon, but
University, travel, and perhaps the eating of dinners for the Bar. After
that one would see, or more probably one would not. In face of these
proffered allurements, however, Jon had remained undecided.

Such discussions with his son had confirmed in Jolyon a doubt whether
the world had really changed. People said that it was a new age. With
the profundity of one not too long for any age, Jolyon perceived that
under slightly different surfaces the era was precisely what it had
been. Mankind was still divided into two species: The few who had
"speculation" in their souls, and the many who had none, with a belt of
hybrids like himself in the middle. Jon appeared to have speculation; it
seemed to his father a bad lookout.

With something deeper, therefore, than his usual smile, he had heard
the boy say, a fortnight ago: "I should like to try farming, Dad; if it
won't cost you too much. It seems to be about the only sort of life
that doesn't hurt anybody; except art, and of course that's out of the
question for me."

Jolyon subdued his smile, and answered: