Urban Sketches by Bret Harte
page 60 of 64 (93%)
page 60 of 64 (93%)
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with divers unprofitable friends, among whom I count the vulgar little
boy. The manner in which he first attracted my attention was purely accidental. He was playing in the street, and the driver of a passing vehicle cut at him, sportively, with his whip. The vulgar little boy rose to his feet and hurled after his tormentor a single sentence of invective. I refrain from repeating it, for I feel that I could not do justice to it here. If I remember rightly, it conveyed, in a very few words, a reflection on the legitimacy of the driver's birth; it hinted a suspicion of his father's integrity, and impugned the fair fame of his mother; it suggested incompetency in his present position, personal uncleanliness, and evinced a sceptical doubt of his future salvation. As his youthful lips closed over the last syllable, the eyes of the vulgar little boy met mine. Something in my look emboldened him to wink. I did not repel the action nor the complicity it implied. From that moment I fell into the power of the vulgar little boy, and he has never left me since. He haunts me in the streets and by-ways. He accosts me, when in the company of friends, with repulsive freedom. He lingers about the gate of my dwelling to waylay me as I issue forth to business. Distance he overcomes by main strength of lungs, and he hails me from the next street. He met me at the theatre the other evening, and demanded my check with the air of a young foot-pad. I foolishly gave it to him, but re-entering some time after, and comfortably seating myself in the parquet, I was electrified by hearing my name called from the gallery with the addition of a playful adjective. It was the vulgar little boy. During the performance he projected spirally-twisted playbills in my direction, and indulged in a running commentary on the supernumeraries as they entered. |
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