An Introduction to the Study of Robert Browning's Poetry by Robert Browning
page 117 of 525 (22%)
page 117 of 525 (22%)
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4. The use of the dative, or indirect object, without "to" or "for". Such datives are very frequent, and scarcely need illustration. The poet has simply carried the use of them beyond the present general usage of the language. But there's a noticeable one in the Pope's Monologue, in `The Ring and the Book', vv. 1464-1466: The Archbishop of Arezzo, to whom poor Pompilia has applied, in her distress, for protection against her brutal husband, thinks it politic not to take her part, but send her back to him and enjoin obedience and submission. The Pope, in his Monologue, represents the crafty Archbishop as saying, when Pompilia cries, "Protect me from the wolf!" "No, thy Guido is rough, heady, strong, Dangerous to disquiet: let him bide! He needs some bone to mumble, help amuse The darkness of his den with: so, the fawn Which limps up bleeding to my foot and lies, -- Come to me daughter! -- thus I throw him back!" i.e., thus I throw back [to] him the fawn which limps up bleeding to my foot and lies. The parenthesis, "Come to me, daughter", being interposed, and which is introduced as preparatory to his purpose, adds to the difficulty of the construction. There are, after all, but comparatively few instances in Browning's poetry, where these features of his diction |
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