Cleon, the poet, writes to Protos in his Tyranny (that is,
in the Greek sense, Sovereignty). Cleon must be understood
as representing the ripe, composite result, as an individual,
of what constituted the glory of Greece -- her poetry, sculpture,
architecture, painting, and music, and also her philosophy.
He acknowledges the gifts which the King has lavished upon him.
By these gifts we are to understand the munificent national patronage
accorded to the arts. "The master of thy galley still unlades
gift after gift; they block my court at last and pile themselves
along its portico royal with sunset, like a thought of thee."

By the slave women that are among the gifts sent to Cleon,
seems to be indicated the degradation of the spiritual by
its subjection to earthly ideals, as were the ideals of Greek art.
This is more particularly indicated by the one white she-slave,
the lyric woman, whom further on in his letter, Cleon promises
to the King he will make narrate (in lyric song we must suppose)
his fortunes, speak his great words, and describe his royal face.

He continues, that in such an act of love, -- the bestowal of
princely gifts upon him whose song gives life its joy, --
men shall remark the King's recognition of the use of life --
that his spirit is equal to more than merely to help on life in
straight ways, broad enough for vulgar souls, by ruling and the rest.
He ascribes to the King, in the building of his tower
(and by this must be understood the building up of his own selfhood),
a higher motive than work for mere work's sake, --
that higher motive being, the luring hope of some EVENTUAL REST
atop of it (the tower), whence, all the tumult of the building hushed,