He did as Raphael had done - he changed his style, and painted, in the
fashion of Albani, two goddesses rather than two queens. These
illustrious ladies appeared so lovely on the sign, - they presented to
the astonished eyes such an assemblage of lilies and roses, the
enchanting result of the changes of style in Pittrino - they assumed the
_poses_ of sirens so Anacreontically - that the principal _echevin_, when
admitted to view this capital piece in the _salle_ of Cropole, at once
declared that these ladies were too handsome, of too animated a beauty,
to figure as a sign in the eyes of passers-by.

To Pittrino he added, "His royal highness, Monsieur, who often comes into
our city, will not be much pleased to see his illustrious mother so
slightly clothed, and he will send you to the _oubliettes_ of the state;
for, remember, the heart of that glorious prince is not always tender.
You must efface either the two sirens or the legend, without which I
forbid the exhibition of the sign. I say this for your sake, Master
Cropole, as well for yours, Signor Pittrino."

What answer could be made to this? It was necessary to thank the
_echevin_ for his kindness, which Cropole did. But Pittrino remained
downcast and said he felt assured of what was about to happen.

The visitor was scarcely gone when Cropole, crossing his arms, said:
"Well, master, what is to be done?"

"We must efface the legend," said Pittrino, in a melancholy tone. "I
have some excellent ivory-black; it will be done in a moment, and we
will replace the Medici by the nymphs or the sirens, whichever you
prefer."