Discourses on Satire and on Epic Poetry by John Dryden
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page 14 of 202 (06%)
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and another Virgil may possible arise from those very causes which
produced the first, though it would be impudence to affirm that any such have yet appeared. It is manifest that some particular ages have been more happy than others in the production of great men in all sorts of arts and sciences, as that of Euripides, Sophocles, Aristophanes, and the rest, for stage-poetry amongst the Greeks; that of Augustus for heroic, lyric, dramatic, elegiac, and indeed all sorts of poetry in the persons of Virgil, Horace, Varius, Ovid, and many others, especially if we take into that century the latter end of the commonwealth, wherein we find Varro, Lucretius, and Catullus; and at the same time lived Cicero and Sallust and Caesar. A famous age in modern times for learning in every kind was that of Lorenzo de Medici and his son Leo the Tenth, wherein painting was revived, and poetry flourished, and the Greek language was restored. Examples in all these are obvious, but what I would infer is this-- that in such an age it is possible some great genius may arise to equal any of the ancients, abating only for the language; for great contemporaries whet and cultivate each other, and mutual borrowing and commerce makes the common riches of learning, as it does of the civil government. But suppose that Homer and Virgil were the only of their species, and that nature was so much worn out in producing them that she is never able to hear the like again, yet the example only holds in heroic poetry; in tragedy and satire I offer myself to maintain, against some of our modern critics, that this age and the last, particularly in England, have excelled the ancients in both those |
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