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Discourses on Satire and on Epic Poetry by John Dryden
page 19 of 202 (09%)
says, is always narrative), yet I hope the usefulness of what I have
to say on this subject will qualify the remoteness of it; and this
is the last time I will commit the crime of prefaces, or trouble the
world with my notions of anything that relates to verse. I have
then, as you see, observed the failings of many great wits amongst
the moderns who have attempted to write an epic poem. Besides
these, or the like animadversions of them by other men, there is yet
a farther reason given why they cannot possibly succeed so well as
the ancients, even though we could allow them not to be inferior
either in genius or learning, or the tongue in which they write, or
all those other wonderful qualifications which are necessary to the
forming of a true accomplished heroic poet. The fault is laid on
our religion; they say that Christianity is not capable of those
embellishments which are afforded in the belief of those ancient
heathens.

And it is true that in the severe notions of our faith the fortitude
of a Christian consists in patience, and suffering for the love of
God whatever hardships can befall in the world--not in any great
attempt, or in performance of those enterprises which the poets call
heroic, and which are commonly the effects of interest, ostentation,
pride, and worldly honour; that humility and resignation are our
prime virtues; and that these include no action but that of the
soul, whereas, on the contrary, an heroic poem requires to its
necessary design, and as its last perfection, some great action of
war, the accomplishment of some extraordinary undertaking, which
requires the strength and vigour of the body, the duty of a soldier,
the capacity and prudence of a general, and, in short, as much or
more of the active virtue than the suffering. But to this the
answer is very obvious. God has placed us in our several stations;
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