Satyrus, that mixed kind of animal (or, as the ancients thought him,
rural god) made up betwixt a man and a goat, with a human head,
hooked nose, pouting lips, a bunch or struma under the chin, pricked
ears, and upright horns; the body shagged with hair, especially from
the waist, and ending in a goat, with the legs and feet of that
creature. But Casaubon and his followers, with reason, condemn this
derivation, and prove that from Satyrus the word satira, as it
signifies a poem, cannot possibly descend. For satira is not
properly a substantive, but an adjective; to which the word lanx (in
English a "charger" or "large platter") is understood: so that the
Greek poem made according to the manners of a Satyr, and expressing
his qualities, must properly be called satirical, and not satire.
And thus far it is allowed that the Grecians had such poems, but
that they were wholly different in species from that to which the
Romans gave the name of satire.

Aristotle divides all poetry, in relation to the progress of it,
into nature without art, art begun, and art completed. Mankind,
even the most barbarous, have the seeds of poetry implanted in them.
The first specimen of it was certainly shown in the praises of the
Deity and prayers to Him; and as they are of natural obligation, so
they are likewise of divine institution: which Milton observing,
introduces Adam and Eve every morning adoring God in hymns and
prayers. The first poetry was thus begun in the wild notes of
natural poetry before the invention of feet and measures. The
Grecians and Romans had no other original of their poetry.
Festivals and holidays soon succeeded to private worship, and we
need not doubt but they were enjoined by the true God to His own
people, as they were afterwards imitated by the heathens; who by the
light of reason knew they were to invoke some superior being in