graceful turn to the satire of Ennius and Pacuvius, not that he
invented a new satire of his own; and Quintilian seems to explain
this passage of Horace in these words: Satira quidem tota nostra
est; in qua primus insignem laudem adeptus est Luciluis.

Thus both Horace and Quintilian give a kind of primacy of honour to
Lucilius amongst the Latin satirists; for as the Roman language grew
more refined, so much more capable it was of receiving the Grecian
beauties, in his time. Horace and Quintilian could mean no more
than that Lucilius writ better than Ennius and Pacuvius, and on the
same account we prefer Horace to Lucilius. Both of them imitated
the old Greek comedy; and so did Ennius and Pacuvius before them.
The polishing of the Latin tongue, in the succession of times, made
the only difference; and Horace himself in two of his satires,
written purposely on this subject, thinks the Romans of his age were
too partial in their commendations of Lucilius, who writ not only
loosely and muddily, with little art and much less care, but also in
a time when the Latin tongue was not yet sufficiently purged from
the dregs of barbarism; and many significant and sounding words
which the Romans wanted were not admitted even in the times of
Lucretius and Cicero, of which both complain.

But to proceed: Dacier justly taxes Casaubon for saying that the
satires of Lucilius were wholly different in species from those of
Ennius and Pacuvius, Casaubon was led into that mistake by Diomedes
the grammarian, who in effect says this:- "Satire amongst the Romans
but not amongst the Greeks, was a biting invective poem, made after
the model of the ancient comedy, for the reprehension of vices; such
as were the poems of Lucilius, of Horace, and of Persius. But in
former times the name of satire was given to poems which were