The Historical Nights' Entertainment by Rafael Sabatini
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page 3 of 439 (00%)
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Duke of Gandia, that it no more lacks historical authority than do
any other of the explanatory narratives adopted by history to assign the guilt to Gandia's brother, Cesare Borgia. In the "Cambridge Modern History" our most authoritative writers on this epoch have definitely pronounced that there is no evidence acceptable to historians to support the view current for four centuries that Cesare Borgia was the murderer. Elsewhere I have dealt with this at length. Here let it suffice to say that it was not until nine months after the deed that the name of Cesare Borgia was first associated with it; that public opinion had in the mean time assigned the guilt to a half-dozen others in succession; that no motive for the crime is discoverable in the case of Cesare; that the motives advanced will not bear examination, and that they bear on the face of them the stamp of having been put forward hastily to support an accusation unscrupulously political in purpose; that the first men accused by the popular voice were the Cardinal Vice-Chancellor Ascanio Sforza and his nephew Giovanni Sforza, Tyrant of Pesaro; and, finally, that in Matarazzo's "Chronicles of Perugia" there is a fairly detailed account of how the murder was perpetrated by the latter. Matarazzo, I confess, is worthy of no more credit than any other of the contemporary reporters of common gossip. But at least he is worthy of no less. And it is undeniable that in Sforza's case a strong motive for the murder was not lacking. My narrative in "The Night of Hate" is admittedly a purely theoretical account of the crime. But it is closely based upon all |
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