Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 103 of 234 (44%)
page 103 of 234 (44%)
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the following Monday morning. It was the week after the Easter holidays,
and he was journeying along with Smart the mare and the light spring-cart, watching the damp slopes of the hill-sides as they streamed in the warmth of the sun, which at this unsettled season shone on the grass with the freshness of an occasional inspector rather than as an accustomed proprietor. His errand was to fetch Fancy, and some additional household goods, from her father's house in the neighbouring parish to her dwelling at Mellstock. The distant view was darkly shaded with clouds; but the nearer parts of the landscape were whitely illumined by the visible rays of the sun streaming down across the heavy gray shade behind. The tranter had not yet told his son of the state of Shiner's heart that had been suggested to him by Shiner's movements. He preferred to let such delicate affairs right themselves; experience having taught him that the uncertain phenomenon of love, as it existed in other people, was not a groundwork upon which a single action of his own life could be founded. Geoffrey Day lived in the depths of Yalbury Wood, which formed portion of one of the outlying estates of the Earl of Wessex, to whom Day was head game-keeper, timber-steward, and general overlooker for this district. The wood was intersected by the highway from Casterbridge to London at a place not far from the house, and some trees had of late years been felled between its windows and the ascent of Yalbury Hill, to give the solitary cottager a glimpse of the passers-by. It was a satisfaction to walk into the keeper's house, even as a stranger, on a fine spring morning like the present. A curl of wood-smoke came from the chimney, and drooped over the roof like a blue feather in a lady's hat; and the sun shone obliquely upon the patch of |
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