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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 16 of 234 (06%)
cleverness alluded to, in the midst of which Reuben returned. The
operation was then satisfactorily performed; when Michael arose and
stretched his head to the extremest fraction of height that his body
would allow of, to re-straighten his back and shoulders--thrusting out
his arms and twisting his features to a mass of wrinkles to emphasize the
relief aquired. A quart or two of the beverage was then brought to
table, at which all the new arrivals reseated themselves with wide-spread
knees, their eyes meditatively seeking out any speck or knot in the board
upon which the gaze might precipitate itself.

"Whatever is father a-biding out in fuel-house so long for?" said the
tranter. "Never such a man as father for two things--cleaving up old
dead apple-tree wood and playing the bass-viol. 'A'd pass his life
between the two, that 'a would." He stepped to the door and opened it.

"Father!"

"Ay!" rang thinly from round the corner.

"Here's the barrel tapped, and we all a-waiting!"

A series of dull thuds, that had been heard without for some time past,
now ceased; and after the light of a lantern had passed the window and
made wheeling rays upon the ceiling inside the eldest of the Dewy family
appeared.



CHAPTER III: THE ASSEMBLED QUIRE

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