Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
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page 16 of 234 (06%)
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cleverness alluded to, in the midst of which Reuben returned. The
operation was then satisfactorily performed; when Michael arose and stretched his head to the extremest fraction of height that his body would allow of, to re-straighten his back and shoulders--thrusting out his arms and twisting his features to a mass of wrinkles to emphasize the relief aquired. A quart or two of the beverage was then brought to table, at which all the new arrivals reseated themselves with wide-spread knees, their eyes meditatively seeking out any speck or knot in the board upon which the gaze might precipitate itself. "Whatever is father a-biding out in fuel-house so long for?" said the tranter. "Never such a man as father for two things--cleaving up old dead apple-tree wood and playing the bass-viol. 'A'd pass his life between the two, that 'a would." He stepped to the door and opened it. "Father!" "Ay!" rang thinly from round the corner. "Here's the barrel tapped, and we all a-waiting!" A series of dull thuds, that had been heard without for some time past, now ceased; and after the light of a lantern had passed the window and made wheeling rays upon the ceiling inside the eldest of the Dewy family appeared. CHAPTER III: THE ASSEMBLED QUIRE |
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