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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
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receptacle of the little unknown's foot; and a very pretty boot it was. A
character, in fact--the flexible bend at the instep, the rounded
localities of the small nestling toes, scratches from careless scampers
now forgotten--all, as repeated in the tell-tale leather, evidencing a
nature and a bias. Dick surveyed it with a delicate feeling that he had
no right to do so without having first asked the owner of the foot's
permission.

"Now, neighbours, though no common eye can see it," the shoemaker went
on, "a man in the trade can see the likeness between this boot and that
last, although that is so deformed as hardly to recall one of God's
creatures, and this is one of as pretty a pair as you'd get for ten-and-
sixpence in Casterbridge. To you, nothing; but 'tis father's voot and
daughter's voot to me, as plain as houses."

"I don't doubt there's a likeness, Master Penny--a mild likeness--a
fantastical likeness," said Spinks. "But I han't got imagination enough
to see it, perhaps."

Mr. Penny adjusted his spectacles.

"Now, I'll tell ye what happened to me once on this very point. You used
to know Johnson the dairyman, William?"

"Ay, sure; I did."

"Well, 'twasn't opposite his house, but a little lower down--by his
paddock, in front o' Parkmaze Pool. I was a-bearing across towards
Bloom's End, and lo and behold, there was a man just brought out o' the
Pool, dead; he had un'rayed for a dip, but not being able to pitch it
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