Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
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page 28 of 234 (11%)
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kept out clarinets, and done away with serpents. If you'd thrive in
musical religion, stick to strings, says I." "Strings be safe soul-lifters, as far as that do go," said Mr. Spinks. "Yet there's worse things than serpents," said Mr. Penny. "Old things pass away, 'tis true; but a serpent was a good old note: a deep rich note was the serpent." "Clar'nets, however, be bad at all times," said Michael Mail. "One Christmas--years agone now, years--I went the rounds wi' the Weatherbury quire. 'Twas a hard frosty night, and the keys of all the clar'nets froze--ah, they did freeze!--so that 'twas like drawing a cork every time a key was opened; and the players o' 'em had to go into a hedger-and-ditcher's chimley-corner, and thaw their clar'nets every now and then. An icicle o' spet hung down from the end of every man's clar'net a span long; and as to fingers--well, there, if ye'll believe me, we had no fingers at all, to our knowing." "I can well bring back to my mind," said Mr. Penny, "what I said to poor Joseph Ryme (who took the treble part in Chalk-Newton Church for two-and- forty year) when they thought of having clar'nets there. 'Joseph,' I said, says I, 'depend upon't, if so be you have them tooting clar'nets you'll spoil the whole set-out. Clar'nets were not made for the service of the Lard; you can see it by looking at 'em,' I said. And what came o't? Why, souls, the parson set up a barrel-organ on his own account within two years o' the time I spoke, and the old quire went to nothing." "As far as look is concerned," said the tranter, "I don't for my part see that a fiddle is much nearer heaven than a clar'net. 'Tis further off. |
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