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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 36 of 234 (15%)
They now crossed Mellstock Bridge, and went along an embowered path
beside the Froom towards the church and vicarage, meeting Voss with the
hot mead and bread-and-cheese as they were approaching the churchyard.
This determined them to eat and drink before proceeding further, and they
entered the church and ascended to the gallery. The lanterns were
opened, and the whole body sat round against the walls on benches and
whatever else was available, and made a hearty meal. In the pauses of
conversation there could be heard through the floor overhead a little
world of undertones and creaks from the halting clockwork, which never
spread further than the tower they were born in, and raised in the more
meditative minds a fancy that here lay the direct pathway of Time.

Having done eating and drinking, they again tuned the instruments, and
once more the party emerged into the night air.

"Where's Dick?" said old Dewy.

Every man looked round upon every other man, as if Dick might have been
transmuted into one or the other; and then they said they didn't know.

"Well now, that's what I call very nasty of Master Dicky, that I do,"
said Michael Mail.

"He've clinked off home-along, depend upon't," another suggested, though
not quite believing that he had.

"Dick!" exclaimed the tranter, and his voice rolled sonorously forth
among the yews.

He suspended his muscles rigid as stone whilst listening for an answer,
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