Book-bot.com - read famous books online for free

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 5 of 234 (02%)
Mellstock parish with Upper Mellstock and Lewgate, and to his eyes,
casually glancing upward, the silver and black-stemmed birches with their
characteristic tufts, the pale grey boughs of beech, the dark-creviced
elm, all appeared now as black and flat outlines upon the sky, wherein
the white stars twinkled so vehemently that their flickering seemed like
the flapping of wings. Within the woody pass, at a level anything lower
than the horizon, all was dark as the grave. The copse-wood forming the
sides of the bower interlaced its branches so densely, even at this
season of the year, that the draught from the north-east flew along the
channel with scarcely an interruption from lateral breezes.

After passing the plantation and reaching Mellstock Cross the white
surface of the lane revealed itself between the dark hedgerows like a
ribbon jagged at the edges; the irregularity being caused by temporary
accumulations of leaves extending from the ditch on either side.

The song (many times interrupted by flitting thoughts which took the
place of several bars, and resumed at a point it would have reached had
its continuity been unbroken) now received a more palpable check, in the
shape of "Ho-i-i-i-i-i!" from the crossing lane to Lower Mellstock, on
the right of the singer who had just emerged from the trees.

"Ho-i-i-i-i-i!" he answered, stopping and looking round, though with no
idea of seeing anything more than imagination pictured.

"Is that thee, young Dick Dewy?" came from the darkness.

"Ay, sure, Michael Mail."

"Then why not stop for fellow-craters--going to thy own father's house
DigitalOcean Referral Badge