Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 55 of 234 (23%)
page 55 of 234 (23%)
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time it lasted--a peculiarity which filled her features with wrinkles,
and reduced her eyes to little straight lines like hyphens, as she jigged up and down opposite him; repeating in her own person not only his proper movements, but also the minor flourishes which the richness of the tranter's imagination led him to introduce from time to time--an imitation which had about it something of slavish obedience, not unmixed with fear. The ear-rings of the ladies now flung themselves wildly about, turning violent summersaults, banging this way and that, and then swinging quietly against the ears sustaining them. Mrs. Crumpler--a heavy woman, who, for some reason which nobody ever thought worth inquiry, danced in a clean apron--moved so smoothly through the figure that her feet were never seen; conveying to imaginative minds the idea that she rolled on castors. Minute after minute glided by, and the party reached the period when ladies' back-hair begins to look forgotten and dissipated; when a perceptible dampness makes itself apparent upon the faces even of delicate girls--a ghastly dew having for some time rained from the features of their masculine partners; when skirts begin to be torn out of their gathers; when elderly people, who have stood up to please their juniors, begin to feel sundry small tremblings in the region of the knees, and to wish the interminable dance was at Jericho; when (at country parties of the thorough sort) waistcoats begin to be unbuttoned, and when the fiddlers' chairs have been wriggled, by the frantic bowing of their occupiers, to a distance of about two feet from where they originally stood. Fancy was dancing with Mr. Shiner. Dick knew that Fancy, by the law of |
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