Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 57 of 234 (24%)
page 57 of 234 (24%)
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friend and neighbour is set against it. Not but that 'tis a terrible
tasty thing in good hands and well done; yes, indeed, so say I." "All I meant was," said Dick, rather sorry that he had spoken correctingly to a guest, "that 'tis in the dance; and a man has hardly any right to hack and mangle what was ordained by the regular dance-maker, who, I daresay, got his living by making 'em, and thought of nothing else all his life." "I don't like casting off: then very well; I cast off for no dance-maker that ever lived." Dick now appeared to be doing mental arithmetic, the act being really an effort to present to himself, in an abstract form, how far an argument with a formidable rival ought to be carried, when that rival was his mother's guest. The dead-lock was put an end to by the stamping arrival up the middle of the tranter, who, despising minutiae on principle, started a theme of his own. "I assure you, neighbours," he said, "the heat of my frame no tongue can tell!" He looked around and endeavoured to give, by a forcible gaze of self-sympathy, some faint idea of the truth. Mrs. Dewy formed one of the next couple. "Yes," she said, in an auxiliary tone, "Reuben always was such a hot man." Mrs. Penny implied the species of sympathy that such a class of affliction required, by trying to smile and to look grieved at the same |
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