Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 60 of 234 (25%)
page 60 of 234 (25%)
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they could work their way to the top again, and have anew the same
exciting run down through. Dick's feelings on actually reaching the top in spite of his doubts were supplemented by a mortal fear that the fiddling might even stop at this supreme moment; which prompted him to convey a stealthy whisper to the far-gone musicians, to the effect that they were not to leave off till he and his partner had reached the bottom of the dance once more, which remark was replied to by the nearest of those convulsed and quivering men by a private nod to the anxious young man between two semiquavers of the tune, and a simultaneous "All right, ay, ay," without opening the eyes. Fancy was now held so closely that Dick and she were practically one person. The room became to Dick like a picture in a dream; all that he could remember of it afterwards being the look of the fiddlers going to sleep, as humming-tops sleep, by increasing their motion and hum, together with the figures of grandfather James and old Simon Crumpler sitting by the chimney-corner, talking and nodding in dumb-show, and beating the air to their emphatic sentences like people near a threshing machine. The dance ended. "Piph-h-h-h!" said tranter Dewy, blowing out his breath in the very finest stream of vapour that a man's lips could form. "A regular tightener, that one, sonnies!" He wiped his forehead, and went to the cider and ale mugs on the table. "Well!" said Mrs. Penny, flopping into a chair, "my heart haven't been in such a thumping state of uproar since I used to sit up on old Midsummer- eves to see who my husband was going to be." "And that's getting on for a good few years ago now, from what I've heard you tell," said the tranter, without lifting his eyes from the cup he was filling. Being now engaged in the business of handing round |
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