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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 68 of 234 (29%)
sonny, my inside has been as dry as a lime-basket all night."

"I like a party very well once in a while," said Mrs. Dewy, leaving off
the adorned tones she had been bound to use throughout the evening, and
returning to the natural marriage voice; "but, Lord, 'tis such a sight of
heavy work next day! What with the dirty plates, and knives and forks,
and dust and smother, and bits kicked off your furniture, and I don't
know what all, why a body could a'most wish there were no such things as
Christmases . . . Ah-h dear!" she yawned, till the clock in the corner
had ticked several beats. She cast her eyes round upon the displaced,
dust-laden furniture, and sank down overpowered at the sight.

"Well, I be getting all right by degrees, thank the Lord for't!" said the
tranter cheerfully through a mangled mass of ham and bread, without
lifting his eyes from his plate, and chopping away with his knife and
fork as if he were felling trees. "Ann, you may as well go on to bed at
once, and not bide there making such sleepy faces; you look as
long-favoured as a fiddle, upon my life, Ann. There, you must be wearied
out, 'tis true. I'll do the doors and draw up the clock; and you go on,
or you'll be as white as a sheet to-morrow."

"Ay; I don't know whether I shan't or no." The matron passed her hand
across her eyes to brush away the film of sleep till she got upstairs.

Dick wondered how it was that when people were married they could be so
blind to romance; and was quite certain that if he ever took to wife that
dear impossible Fancy, he and she would never be so dreadfully practical
and undemonstrative of the Passion as his father and mother were. The
most extraordinary thing was, that all the fathers and mothers he knew
were just as undemonstrative as his own.
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