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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
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waist-coat-buttons came first, and then the remainder of his figure. His
features were invisible; yet when he occasionally looked round, two faint
moons of light gleamed for an instant from the precincts of his eyes,
denoting that he wore spectacles of a circular form.

The third was Elias Spinks, who walked perpendicularly and dramatically.
The fourth outline was Joseph Bowman's, who had now no distinctive
appearance beyond that of a human being. Finally came a weak lath-like
form, trotting and stumbling along with one shoulder forward and his head
inclined to the left, his arms dangling nervelessly in the wind as if
they were empty sleeves. This was Thomas Leaf.

"Where be the boys?" said Dick to this somewhat indifferently-matched
assembly.

The eldest of the group, Michael Mail, cleared his throat from a great
depth.

"We told them to keep back at home for a time, thinken they wouldn't be
wanted yet awhile; and we could choose the tuens, and so on."

"Father and grandfather William have expected ye a little sooner. I have
just been for a run round by Ewelease Stile and Hollow Hill to warm my
feet."

"To be sure father did! To be sure 'a did expect us--to taste the little
barrel beyond compare that he's going to tap."

"'Od rabbit it all! Never heard a word of it!" said Mr. Penny, gleams of
delight appearing upon his spectacle-glasses, Dick meanwhile singing
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