formality, no assumption of function, no awkward propriety or dignity
to be sustained. A letter at the opening of a book may be only a
footpath, leading the curious to a favorable point of observation,
and then leaving them to wander as they will.

Sluggards have been sent to the ant for wisdom; but writers might
better be sent to the spider, not because he works all night, and
watches all day, but because he works unconsciously. He dare not
even bring his work before his own eyes, but keeps it behind him, as
if too much knowledge of what one is doing would spoil the delicacy
and modesty of one's work.

Almost all graceful and fanciful work is born like a dream, that
comes noiselessly, and tarries silently, and goes as a bubble bursts.
And yet somewhere work must come in,--real, well-considered work.

Inness (the best American painter of Nature in her moods of real
human feeling) once said, "No man can do anything in art, unless he
has intuitions; but, between whiles, one must work hard in collecting
the materials out of which intuitions are made." The truth could not
be hit off better. Knowledge is the soil, and intuitions are the
flowers which grow up out of it. The soil must be well enriched and
worked.

It is very plain, or will be to those who read these papers, now
gathered up into this book, as into a chariot for a race, that the
author has long employed his eyes, his ears, and his understanding,
in observing and considering the facts of Nature, and in weaving
curious analogies. Being an editor of one of the oldest daily news-
papers in New England, and obliged to fill its columns day after day