reinforced his stock-in-trade of mystical lore. In company with a
friend, who was interested in a Ural mining concern, he had made a trip
across Eastern Europe at a moment when the great Russian railway strike
was developing from a threat to a reality; its outbreak caught him on the
return journey, somewhere on the further side of Perm, and it was while
waiting for a couple of days at a wayside station in a state of suspended
locomotion that he made the acquaintance of a dealer in harness and
metalware, who profitably whiled away the tedium of the long halt by
initiating his English travelling companion in a fragmentary system of
folk-lore that he had picked up from Trans-Baikal traders and natives.
Leonard returned to his home circle garrulous about his Russian strike
experiences, but oppressively reticent about certain dark mysteries,
which he alluded to under the resounding title of Siberian Magic. The
reticence wore off in a week or two under the influence of an entire lack
of general curiosity, and Leonard began to make more detailed allusions
to the enormous powers which this new esoteric force, to use his own
description of it, conferred on the initiated few who knew how to wield
it. His aunt, Cecilia Hoops, who loved sensation perhaps rather better
than she loved the truth, gave him as clamorous an advertisement as
anyone could wish for by retailing an account of how he had turned a
vegetable marrow into a wood pigeon before her very eyes. As a
manifestation of the possession of supernatural powers, the story was
discounted in some quarters by the respect accorded to Mrs. Hoops' powers
of imagination.

However divided opinion might be on the question of Leonard's status as a
wonderworker or a charlatan, he certainly arrived at Mary Hampton's house-
party with a reputation for pre-eminence in one or other of those
professions, and he was not disposed to shun such publicity as might fall
to his share. Esoteric forces and unusual powers figured largely in