A Mortal Antipathy: first opening of the new portfolio by Oliver Wendell Holmes
page 13 of 284 (04%)
page 13 of 284 (04%)
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There is a subject of profound interest to almost every writer, I might
say to almost every human being. No matter what his culture or ignorance, no matter what his pursuit, no matter what his character, the subject I refer to is one of which he rarely ceases to think, and, if opportunity is offered, to talk. On this he is eloquent, if on nothing else. The slow of speech becomes fluent; the torpid listener becomes electric with vivacity, and alive all over with interest. The sagacious reader knows well what is coming after this prelude. He is accustomed to the phrases with which the plausible visitor, who has a subscription book in his pocket, prepares his victim for the depressing disclosure of his real errand. He is not unacquainted with the conversational amenities of the cordial and interesting stranger, who, having had the misfortune of leaving his carpet-bag in the cars, or of having his pocket picked at the station, finds himself without the means of reaching that distant home where affluence waits for him with its luxurious welcome, but to whom for the moment the loan of some five and twenty dollars would be a convenience and a favor for which his heart would ache with gratitude during the brief interval between the loan and its repayment. I wish to say a few words in my own person relating to some passages in my own history, and more especially to some of the recent experiences through which I have been passing. What can justify one in addressing himself to the general public as if it were his private correspondent? There are at least three sufficient reasons: first, if he has a story to tell that everybody wants to hear,--if he has been shipwrecked, or has been in a battle, or has witnessed any interesting event, and can tell anything new about it; |
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