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A Mortal Antipathy: first opening of the new portfolio by Oliver Wendell Holmes
page 13 of 284 (04%)
There is a subject of profound interest to almost every writer, I might
say to almost every human being. No matter what his culture or
ignorance, no matter what his pursuit, no matter what his character, the
subject I refer to is one of which he rarely ceases to think, and, if
opportunity is offered, to talk. On this he is eloquent, if on nothing
else. The slow of speech becomes fluent; the torpid listener becomes
electric with vivacity, and alive all over with interest.

The sagacious reader knows well what is coming after this prelude. He is
accustomed to the phrases with which the plausible visitor, who has a
subscription book in his pocket, prepares his victim for the depressing
disclosure of his real errand. He is not unacquainted with the
conversational amenities of the cordial and interesting stranger, who,
having had the misfortune of leaving his carpet-bag in the cars, or of
having his pocket picked at the station, finds himself without the means
of reaching that distant home where affluence waits for him with its
luxurious welcome, but to whom for the moment the loan of some five and
twenty dollars would be a convenience and a favor for which his heart
would ache with gratitude during the brief interval between the loan and
its repayment.

I wish to say a few words in my own person relating to some passages in
my own history, and more especially to some of the recent experiences
through which I have been passing.

What can justify one in addressing himself to the general public as if it
were his private correspondent? There are at least three sufficient
reasons: first, if he has a story to tell that everybody wants to
hear,--if he has been shipwrecked, or has been in a battle, or has
witnessed any interesting event, and can tell anything new about it;
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