A Mortal Antipathy: first opening of the new portfolio by Oliver Wendell Holmes
page 24 of 284 (08%)
page 24 of 284 (08%)
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some unpretending two-story houses which had been its neighbors for a
century and more. To the south of it the square brick dormitories and the bellfried hall of the university helped to shut out the distant view. But the west windows gave a broad outlook across the common, beyond which the historical "Washington elm" and two companions in line with it, spread their leaves in summer and their networks in winter. And far away rose the hills that bounded the view, with the glimmer here and there of the white walls or the illuminated casements of some embowered, half-hidden villa. Eastwardly also, the prospect was, in my earlier remembrance, widely open, and I have frequently seen the sunlit sails gliding along as if through the level fields, for no water was visible. So there were broad expanses on two sides at least, for my imagination to wander over. I cannot help thinking that we carry our childhood's horizon with us all our days. Among these western wooded hills my day-dreams built their fairy palaces, and even now, as I look at them from my library window, across the estuary of the Charles, I find myself in the familiar home of my early visions. The "clouds of glory" which we trail with us in after life need not be traced to a pre-natal state. There is enough to account for them in that unconsciously remembered period of existence before we have learned the hard limitations of real life. Those earliest months in which we lived in sensations without words, and ideas not fettered in sentences, have all the freshness of proofs of an engraving "before the letter." I am very thankful that the first part of my life was not passed shut in between high walls and treading the unimpressible and unsympathetic pavement. Our university town was very much like the real country, in those days of which I am thinking. There were plenty of huckleberries and blueberries |
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