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A Mortal Antipathy: first opening of the new portfolio by Oliver Wendell Holmes
page 9 of 284 (03%)
friendly and not exclusive precincts. Such, at least, was the story I
heard after he disappeared from general observation.

That was the day of Souvenirs, Tokens, Forget-me-nots, Bijous, and all
that class of showy annuals. Short stories, slender poems, steel
engravings, on a level with the common fashion-plates of advertising
establishments, gilt edges, resplendent binding,--to manifestations of
this sort our lighter literature had very largely run for some years.
The "Scarlet Letter" was an unhinted possibility. The "Voices of the
Night" had not stirred the brooding silence; the Concord seer was still
in the lonely desert; most of the contributors to those yearly volumes,
which took up such pretentious positions on the centre table, have shrunk
into entire oblivion, or, at best, hold their place in literature by a
scrap or two in some omnivorous collection.

What dreadful work Spelling made among those slight reputations, floating
in swollen tenuity on the surface of the stream, and mirroring each other
in reciprocal reflections! Violent, abusive as he was, unjust to any
against whom he happened to have a prejudice, his castigation of the
small litterateurs of that day was not harmful, but rather of use. His
attack on Willis very probably did him good; he needed a little
discipline, and though he got it too unsparingly, some cautions came with
it which were worth the stripes he had to smart under. One noble writer
Spelling treated with rudeness, probably from some accidental pique, or
equally insignificant reason. I myself, one of the three survivors
before referred to, escaped with a love-pat, as the youngest son of the
Muse. Longfellow gets a brief nod of acknowledgment. Bailey, an
American writer, "who made long since a happy snatch at fame," which must
have been snatched away from him by envious time, for I cannot identify
him; Thatcher, who died early, leaving one poem, The Last Request, not
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