in the faith, ceremonies, or customs of the Mother of Religion and
Civilisation, ancient Egypt, it is, however, respectfully suggested
that they should exercise the art of skipping, and open this tale at its
Second Book.

That version of the death of Cleopatra has been preferred which
attributes her end to poison. According to Plutarch its actual manner is
very uncertain, though popular rumour ascribed it to the bite of an asp.
She seems, however, to have carried out her design under the advice
of that shadowy personage, her physician, Olympus, and it is more than
doubtful if he would have resorted to such a fantastic and uncertain
method of destroying life.

It may be mentioned that so late as the reign of Ptolemy Epiphanes,
pretenders of native blood, one of whom was named Harmachis, are known
to have advanced their claims to the throne of Egypt. Moreover, there
was a book of prophecy current among the priesthood which declared that
after the nations of the Greeks the God Harsefi would create the "chief
who is to come." It will therefore be seen that, although it lacks
historical confirmation, the story of the great plot formed to stamp out
the dynasty of the Macedonian Lagidae and place Harmachis on the throne
is not in itself improbable. Indeed, it is possible that many such plots
were entered into by Egyptian patriots during the long ages of their
country's bondage. But ancient history tells us little of the abortive
struggles of a fallen race.

The Chant of Isis and the Song of Cleopatra, which appear in these
pages, are done into verse from the writer's prose by Mr. Andrew Lang,
and the dirge sung by Charmion is translated by the same hand from the
Greek of the Syrian Meleager.