Of the American, Don Frank Goodwin, and of his wife the natives have
nothing but good to say. Don Frank has lived among them for years,
and has compelled their respect. His lady is easily queen of what
social life the sober coast affords. The wife of the governor of the
district, herself, who was of the proud Castilian family of Monteleon
y Dolorosa de los Santos y Mendez, feels honored to unfold her napkin
with olive-hued, ringed hands at the table of Senora Goodwin. Were
you to refer (with your northern prejudices) to the vivacious past
of Mrs. Goodwin when her audacious and gleeful abandon in light opera
captured the mature president's fancy, or to her share in that
statesman's downfall and malfeasance, the Latin shrug of the shoulder
would be your only answer and rebuttal. What prejudices there were
in Coralio concerning Senora Goodwin seemed now to be in her favor,
whatever they had been in the past.

It would seem that the story is ended, instead of begun; that the
close of tragedy and the climax of a romance have covered the ground
of interest; but, to the more curious reader it shall be some slight
instruction to trace the close threads that underlie the ingenious
web of circumstances.

The headpiece bearing the name of President Miraflores is daily
scrubbed with soap-bark and sand. An old half-breed Indian tends the
grave with fidelity and the dawdling minuteness of inherited sloth.
He chops down the weeds and ever-springing grass with his machete, he
plucks ants and scorpions and beetles from it with his horny fingers,
and sprinkles its turf with water from the plaza fountain. There is
no grave anywhere so well kept and ordered.

Only by following out the underlying threads will it be made clear