Flip, a California romance by Bret Harte
page 16 of 58 (27%)
page 16 of 58 (27%)
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household implements scattered about, indicated the "ranch." Like most
pioneer clearings, it was simply a disorganized raid upon nature that had left behind a desolate battlefield strewn with waste and decay. The fallen trees, the crushed thicket, the splintered limbs, the rudely torn-up soil, were made hideous by their grotesque juxtaposition with the wrecked fragments of civilization, in empty cans, broken bottles, battered hats, soleless boots, frayed stockings, cast-off rags, and the crowning absurdity of the twisted-wire skeleton of a hooped skirt hanging from a branch. The wildest defile, the densest thicket, the most virgin solitude, was less dreary and forlorn than this first footprint of man. The only redeeming feature of this prolonged bivouac was the cabin itself. Built of the half-cylindrical strips of pine bark, and thatched with the same material, it had a certain picturesque rusticity. But this was an accident of economy rather than taste, for which Flip apologized by saying that the bark of the pine was "no good" for charcoal. "I reckon Dad's in the woods," she added, pausing before the open door of the cabin. "Oh, Dad!" Her voice, clear and high, seemed to fill the whole long canyon, and echoed from the green plateau above. The monotonous strokes of an axe were suddenly pretermitted, and somewhere from the depths of the close-set pines a voice answered "Flip." There was a pause of a few moments, with some muttering, stumbling, and crackling in the underbrush, and then the sudden appearance of "Dad." Had Lance first met him in the thicket, he would have been puzzled to assign his race to Mongolian, Indian, or Ethiopian origin. Perfunctory but incomplete washings of his hands and face, after charcoal burning, had gradually ground into his skin a grayish slate-pencil pallor, grotesquely relieved at the edges, where the washing had left off, |
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