him, building up a crystal wall against his efforts, he felt
anew the derision of his case.

"Nasty weather to cross, sir," the porter threw back at him
as they beat their way down the narrow walk to the pier.
Nasty weather, indeed; but luckily, as it had turned out,
there was no earthly reason why Darrow should cross.

While he pushed on in the wake of his luggage his thoughts
slipped back into the old groove. He had once or twice run
across the man whom Anna Summers had preferred to him, and
since he had met her again he had been exercising his
imagination on the picture of what her married life must
have been. Her husband had struck him as a characteristic
specimen of the kind of American as to whom one is not quite
clear whether he lives in Europe in order to cultivate an
art, or cultivates an art as a pretext for living in Europe.
Mr. Leath's art was water-colour painting, but he practised
it furtively, almost clandestinely, with the disdain of a
man of the world for anything bordering on the professional,
while he devoted himself more openly, and with religious
seriousness, to the collection of enamelled snuff-boxes. He
was blond and well-dressed, with the physical distinction
that comes from having a straight figure, a thin nose, and
the habit of looking slightly disgusted--as who should not,
in a world where authentic snuff-boxes were growing daily
harder to find, and the market was flooded with flagrant
forgeries?

Darrow had often wondered what possibilities of communion