from time to time, as he passed, looked with a certain attention
at the elder man, who, unconscious of observation, rested his
eyes upon the rich red front of his dwelling. The house that rose
beyond the lawn was a structure to repay such consideration and
was the most characteristic object in the peculiarly English
picture I have attempted to sketch.

It stood upon a low hill, above the river--the river being the
Thames at some forty miles from London. A long gabled front of
red brick, with the complexion of which time and the weather had
played all sorts of pictorial tricks, only, however, to improve
and refine it, presented to the lawn its patches of ivy, its
clustered chimneys, its windows smothered in creepers. The house
had a name and a history; the old gentleman taking his tea would
have been delighted to tell you these things: how it had been
built under Edward the Sixth, had offered a night's hospitality
to the great Elizabeth (whose august person had extended itself
upon a huge, magnificent and terribly angular bed which still
formed the principal honour of the sleeping apartments), had been
a good deal bruised and defaced in Cromwell's wars, and then,
under the Restoration, repaired and much enlarged; and how,
finally, after having been remodelled and disfigured in the
eighteenth century, it had passed into the careful keeping of a
shrewd American banker, who had bought it originally because
(owing to circumstances too complicated to set forth) it was
offered at a great bargain: bought it with much grumbling at its
ugliness, its antiquity, its incommodity, and who now, at the end
of twenty years, had become conscious of a real aesthetic passion
for it, so that he knew all its points and would tell you just
where to stand to see them in combination and just the hour when