Quo Vadis: a narrative of the time of Nero by Henryk Sienkiewicz
page 38 of 747 (05%)
page 38 of 747 (05%)
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Lygia, standing opposite, with raised arms was trying to catch. The
maiden did not make a great impression on Petronius at the first glance; she seemed to him too slender. But from the moment when he saw her more nearly in the triclinium he thought to himself that Aurora might look like her; and as a judge he understood that in her there was something uncommon. He considered everything and estimated everything; hence her face, rosy and clear, her fresh lips, as if set for a kiss, her eyes blue as the azure of the sea, the alabaster whiteness of her forehead, the wealth of her dark hair, with the reflection of amber or Corinthian bronze gleaming in its folds, her slender neck, the divine slope of her shoulders, the whole posture, flexible, slender, young with the youth of May and of freshly opened flowers. The artist was roused in him, and the worshipper of beauty, who felt that beneath a statue of that maiden one might write "Spring." All at once he remembered Chrysothemis, and pure laughter seized him. Chrysothemis seemed to him, with golden powder on her hair and darkened brows, to be fabulously faded,--something in the nature of a yellowed rose-tree shedding its leaves. But still Rome envied him that Chrysothemis. Then he recalled Poppæa; and that most famous Poppæa also seemed to him soulless, a waxen mask. In that maiden with Tanagrian outlines there was not only spring, but a radiant soul, which shone through her rosy body as a flame through a lamp. "Vinicius is right," thought he, "and my Chrysothemis is old, old!--as Troy!" Then he turned to Pomponia Græcina, and, pointing to the garden, said,-- "I understand now, domina, why thou and thy husband prefer this house to the Circus and to feasts on the Palatine." "Yes," answered she, turning her eyes in the direction of little Aulus |
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